I was able to bring logic into the art context thanks to Piero Pagliani, who is a logician who formalized some artwork related to an exhibition. What prompted me to do this kind of research? The fact that, while reading some logic texts, I found some definitions such as, “harmonic balance” and especially, “elegant formalization.” This led me to the concept of “aesthetics”. Speaking about “elegance” (in the sense of a beautiful synthesis), suggests that there is a reference to the word “art”. Similarly, in the artistic context, we often talk about conceptualism or paradox: we can see that in the art world that there is a cross-reference to the world of logic. These two references are important because they highlight an initial point of contact. But what is the goal here? The goal is to find a territory, a free territory that is at the boundaries of art and that relates art to other disciplines. The meaning of discipline as something that is defined by rigid boundaries is no longer sustainable. We must persevere in the search for free spaces of knowledge, where experimentation can be activated without preclusion or prejudice.